摘要翻译:
近距离麦克风是一种广泛使用的做法,它将麦克风放置在非常靠近声源的地方,以便捕捉更直接的声音,并最大限度地减少对环境声音的任何拾取,包括其他同时活跃的声源。几十年来,它被音频工程社区用于音频录制,基于录制实践中演变的一些经验规则。但是这种经验知识和近距离的miking实践能得到系统的验证吗?在这项工作中,我们旨在解决这一问题的基础上分析方法,采用技术和度量源于声源分离评价领域。特别地,我们对近距离miking技术的源分离能力进行了定量分析。该分析应用于在一个典型音乐厅的多个位置、传声器与声源之间的多个距离、多个传声器类型以及声源与环境声学成分之间的多个电平差处获得的录音数据集。对于所有上述情况,我们计算源干扰比(SIR)度量。所获得的结果清楚地证明了最佳的近miking性能,匹配当前专业音频记录的经验知识。
---
英文标题:
《Close Miking Empirical Practice Verification: A Source Separation
Approach》
---
作者:
Konstantinos Drossos, Stylianos Ioannis Mimilakis, Andreas Floros,
Tuomas Virtanen, Gerald Schuller
---
最新提交年份:
2018
---
分类信息:
一级分类:Electrical Engineering and Systems Science 电气工程与系统科学
二级分类:Audio and Speech Processing 音频和语音处理
分类描述:Theory and methods for processing signals representing audio, speech, and language, and their applications. This includes analysis, synthesis, enhancement, transformation, classification and interpretation of such signals as well as the design, development, and evaluation of associated signal processing systems. Machine learning and pattern analysis applied to any of the above areas is also welcome. Specific topics of interest include: auditory modeling and hearing aids; acoustic beamforming and source localization; classification of acoustic scenes; speaker separation; active noise control and echo cancellation; enhancement; de-reverberation; bioacoustics; music signals analysis, synthesis and modification; music information retrieval; audio for multimedia and joint audio-video processing; spoken and written language modeling, segmentation, tagging, parsing, understanding, and translation; text mining; speech production, perception, and psychoacoustics; speech analysis, synthesis, and perceptual modeling and coding; robust speech recognition; speaker recognition and characterization; deep learning, online learning, and graphical models applied to speech, audio, and language signals; and implementation aspects ranging from system architecture to fast algorithms.
处理代表音频、语音和语言的信号的理论和方法及其应用。这包括分析、合成、增强、转换、分类和解释这些信号,以及相关信号处理系统的设计、开发和评估。机器学习和模式分析应用于上述任何领域也是受欢迎的。感兴趣的具体主题包括:听觉建模和助听器;声波束形成与声源定位;声场景分类;说话人分离;有源噪声控制和回声消除;增强;去混响;生物声学;音乐信号的分析、合成与修饰;音乐信息检索;多媒体音频和联合音视频处理;口语和书面语建模、切分、标注、句法分析、理解和翻译;文本挖掘;言语产生、感知和心理声学;语音分析、合成、感知建模和编码;鲁棒语音识别;说话人识别与特征描述;应用于语音、音频和语言信号的深度学习、在线学习和图形模型;以及从系统架构到快速算法的实现方面。
--
一级分类:Computer Science 计算机科学
二级分类:Sound 声音
分类描述:Covers all aspects of computing with sound, and sound as an information channel. Includes models of sound, analysis and synthesis, audio user interfaces, sonification of data, computer music, and sound signal processing. Includes ACM Subject Class H.5.5, and intersects with H.1.2, H.5.1, H.5.2, I.2.7, I.5.4, I.6.3, J.5, K.4.2.
涵盖了声音计算的各个方面,以及声音作为一种信息通道。包括声音模型、分析和合成、音频用户界面、数据的可听化、计算机音乐和声音信号处理。包括ACM学科类H.5.5,并与H.1.2、H.5.1、H.5.2、I.2.7、I.5.4、I.6.3、J.5、K.4.2交叉。
--
---
英文摘要:
Close miking represents a widely employed practice of placing a microphone very near to the sound source in order to capture more direct sound and minimize any pickup of ambient sound, including other, concurrently active sources. It is used by the audio engineering community for decades for audio recording, based on a number of empirical rules that were evolved during the recording practice itself. But can this empirical knowledge and close miking practice be systematically verified? In this work we aim to address this question based on an analytic methodology that employs techniques and metrics originating from the sound source separation evaluation field. In particular, we apply a quantitative analysis of the source separation capabilities of the close miking technique. The analysis is applied on a recording dataset obtained at multiple positions of a typical musical hall, multiple distances between the microphone and the sound source multiple microphone types and multiple level differences between the sound source and the ambient acoustic component. For all the above cases we compute the Source to Interference Ratio (SIR) metric. The results obtained clearly demonstrate an optimum close-miking performance that matches the current empirical knowledge of professional audio recording.
---
PDF链接:
https://arxiv.org/pdf/1802.05132