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Ó¡Ë¢¹¤³ÌרҵÂÛÎÄ·¶ÎÄ Ä¿ ¼ Õª ÒªI Abstract.II Ä¿ ¼III 1 Ð÷ÂÛ1 1.1 ¿ÎÌâÑо¿±³¾°¼°ÒâÒå1 1.2 Ñо¿·½·¨ÓëÄÚÈÝ2 2 È·¶¨Ó¡Ë¢É«ÐòµÄÔ­Ôò3 2.1 ¸ù¾ÝÔ­¸åÑ¡ÔñӡˢɫÐò4 2.3 ¸ù¾ÝÖ½ÕÅÐÔÖÊ°²ÅÅÉ«Ðò7 2.4 ¸ù¾ÝÓ¡Ë¢»ú°²ÅÅӡˢɫÐò7 2.5 Ó°ÏìÉ«Ðò°²ÅŵÄÆäËûÔ­Ôò8 2.6 ½ºÓ¡Ó¡Ë¢É«Ðò°²ÅŵÄÌØÊâÒªÇó10 3 ³£¼ûÓ¡Ë¢·½Ê½µÄӡˢɫÐò11 3.1 ½ºÓ¡µÄÉ«Ðò°²ÅÅ11 3.2 ÈáÓ¡µÄÉ«Ðò°²ÅÅ11 3.3 Ë¿Ó¡µÄÉ«Ðò°²ÅÅ12 3.4 °¼Ó¡µÄÉ«Ðò°²ÅÅ12 4 ½ºÓ¡Ó¡Ë¢É«ÐòÖƶ¨·½°¸13 4.1 Öƶ¨Ó¡Ë¢É«ÐòÐ迼ÂǵÄÒòËØ13 4.2 ½ºÓ¡É«ÐòÖƶ¨·½°¸17 5 ½áÓï21 ²Î¿¼ÎÄÏ×23 ¸½Â¼1 24ÖÖӡˢɫÐòʾÒâͼ24 ¸½Â¼2 ӡˢɫÐò¶Ô³ÊÉ«µÄÓ°ÏìʾÒâͼ25 Õª Òª£ºÍ¨³£Ó¡Ë¢Ê¹Óûơ¢Æ·ºì¡¢ÇàºÍºÚËÄÖÖ·ÖÉ«°æºÍÏàÓ¦µÄÓÍÄ«Ó¡Ë¢¡£ÎªÁËÌá¸ßӡˢƷµÄÖÊÁ¿£¬¼õÉÙӡˢɫÐò¶ÔÓ¡Ë¢ÖÊÁ¿µÄÓ°Ï죬´ÓӡˢͼÏñµÄ½×µ÷ÔÙÏÖ¡¢É«²ÊÔÙÏÖ¡¢Í¼ÎÄÇåÎú¶È¡¢Ó¡Ë¢¾ùÔÈÐÔºÍÓ¡Ë¢Öظ´Âʵȷ½Ãæ³ö·¢£¬Í¨¹ý·ÖÎöӡˢɫÐòµÄÓ°ÏìÒòËØ£¬Ñо¿²»Í¬ÀàÐ͵ÄÔ­¸åºÍÓ¡Ë¢¹¤ÒÕÌõ¼þ£¬¾­¹ý·ÖÎö³£ÓõÄÖƶ¨Ó¡Ë¢É«ÐòµÄÔ­ÔòºÍ·½·¨£¬ÒÔ¼°²»Í¬Ó¡Ë¢·½Ê½ÏÂӡˢɫÐò°²ÅÅ£¬²¢ÒÔÔ­¸å°¸ÀýµÄÐÎʽÌÖÂÛÓ°ÏìӡˢɫÐòµÄÒòËØ£¬Ìá³ö½ºÓ¡ÖеÄÉ«ÐòÖƶ¨µÄ·½°¸£¬ÒÔÀûÓÚÓ¡Ë¢ÖÊÁ¿µÄÌá¸ß¡£ ¹Ø¼ü´Ê£ºÓ¡Ë¢£»É«²ÊÔÙÏÖ£»Ó¡Ë¢É«Ðò£»Ó¡Ë¢ÖÊÁ¿ Abstract: Generally, we use the yellow, magenta, cyan and black, four color separation to print with the appropriate ink. In order to improve the printing quality and reduce the impact of the color sequence of printing on printing quality, taking those into consideration such as printed image tone reproduction, color reproduction, graphic resolution, printing uniformity and repetition rate of printing, we study different types of manuscripts and printing conditions by analyzing the factors of color sequence. Through the analysis to the common principles and methods of formulating the color sequence, and different color sequence under different printing methods, we discuss the factors which affacts the color sequence with the sample of original manuscript and propose the programs of formulating the color sequence to improve the printing quality. Keywords£ºprint£»color reproduction£»printing color sequence£»printing quality
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