Acknowledgments
Introduction
PART I: THEORETICAL AND HISTORIOGRAPHIC INTERVENTIONS
1. Critical Theory, Historical Materialism and the Ostensible End of Marxism: The Poverty of Theory Revisited
2. Historical Materialism and the Writing of Canadian History: A Dialectical View
3. Writing about Canadian Workers: A Historiographic Overview
PART II: REEL HISTORY: COMMENT ON THE CINEMATIC
4. Night in the Capitalist, Cold War City: Noir and the Cultural Politics of Darkness
5. The Hands that Built America: A Class-Politics Appreciation of Martin Scorsese’s Gangs of New York
6. Sugar Man’s Sweet Kiss: The Artist Formerly, and Now Again, Known as Rodriguez
PART III: HISTORIOGRAPHY: THE REVOLUTIONARY LEFT
7. Rethinking the Historiography of United States Communism: Questioning American Radicalism
8. Before Braverman: Harry Frankel and the American Workers’ Movement
9. The Personal, the Political, and Permanent Revolution: Ernest Mandel and the Conflicted Legacies of Trotskyism
PART IV: APPRECIATIONS
10. Hobsbawm’s History: Metropolitan Marxism and Analytic Breadth
11. Hobsbawm’s Politics: The Forward March of the Popular Front Halted
12. James Patrick Cannon: Revolutionary Continuity and Class-Struggle Politics in the United States, 1890–1974
13. Paradox and the Thompson ‘School of Awkwardness’
References
Index
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