[分享]摇滚专贴but not only rock&roll

We will rock you

Buddy you're a boy make a big noise/Playin' in the street gonna be a big man some day

You got mud on yo' face/You big disgrace

Kickin' your can all over the place/Singin'

'We will we will rock you/We will we will rock you'

Buddy you're a young man hard man/Shoutin' in the street gonna take on the world some day/You got blood on yo' face

You big disgrace/Wavin' your banner all over the place

'We will we will rock you'/Singin'/'We will we will rock you'

Buddy you're an old man poor man/Pleadin' with your eyes gonna make you some peace some day/You got mud on your face

You big disgrace/Somebody better put you back into your place

'We will we will rock you'/Singin'/'We will we will rock you'/Everybody

'We will we will rock you'/'We will we will rock you'/Alright

下载地址：http://bbs.njust.edu.cn/file/Music/We_will_rock_you_.mp3

Bohemian Rhapsody

Is this the real life -/Is this just fantasy -

Caught in a landslide -/No escape from reality -

Open your eyes/Look up to the skies and see -

I'm just a poor boy, I need no sympathy -

Because I'm easy come, easy go,/ A little high, little low,

Anyway the wind blows, doesn't really matter to me,

- to me -,

Mama, just killed a man,/Put a gun against his head,

Pulled my trigger, now he's dead,/Mama, life had just begun,

But now I've gone and thrown it all away -/Mama, ooo,

Didn't mean to make you cry -/If I'm not back again this time tomorrow -

Carry on, carry on, as if nothing really matters -Too late, my time has come,

Sends shivers down my spine,/Body's aching all the time,

Goodbye everybody - I've got to go -Gotta leave you all behind and face the truth

Mama, ooo -/I don't want to die,/I sometimes wish I'd never been born at all -

I see a little silhouetto of a man,/Scaramouche, scaramouche will you do the Fandango

Thunderbolt and lightning - very very frightening me -/Galileo, Galileo,

Galileo, Galileo/Galileo figaro - Magnifico -

But I'm just a poor boy and nobody loves me -

He's just a poor boy from a poor family -

Spare him his life from this monstrosity -

Easy come easy go -, will you let me go -

Bismillah! No -, we will not let you go - let him go -

Bismillah! We will not let you go - let him go

Bismillah! We will not let you go - let me go

Will not let you go - let me go/Will not let you go - let me go

No, no, no, no, no, no, no -/Mama mia, mama mia, mama mia let me go -

Beelzebub has a devil put aside for me, for me -/for me -

So you think you can stone me and spit in my eye -

So you think you can love me and leave me to die -

Oh Baby - Can't do this to me baby -

Just gotta get out - just gotta get right outta here -

Nothing really matters,

Anyone can see,

Nothing really matters -, nothing really matters to me

Any way the wind blows...

(Operatic Vocals - Roger, Brian and Freddie)

下载地址：http://140.116.5.200/~n8694422/aa.mp3

The show must go on

Empty spaces - what are we waiting for/Abandoned places - I guess we know the score

On and on/Does anybody know what we are looking for

Another hero another mindless crime/Behind the curtain in the pantomime

Hold the line/Does anybody want to take it anymore

The show must go on/The show must go on

Inside my heart is breaking/My make-up may be flaking

But my smile still stays on/Whatever happens I'll leave it all to chance

Another heartache another failed romance/On and on

Does anybody know what we are living for/I guess I'm learning

I must be warmer now/I'll soon be turning round the corner now

Outside the dawn is breaking/But inside in the dark I'm aching to be free

The show must go on/The show must go on - yeah

Ooh inside my heart is breaking/My make-up may be flaking

But my smile still stays on/Yeah oh oh oh

My soul is painted like the wings of butterflies

Fairy tales of yesterday will grow but never die

I can fly - my friends/The show must go on - yeah

The show must go on/I'll face it with a grin

I'm never giving in/On with the show

I'll top the bill/I'll overkill/I have to find the will to carry on

On with the/On with the show/The show must go on

下载地址：http://hstc.1581.com.cn/upload/262/2006032333591800.mp3

We Are The Champion

下载地址： http://www.petol.net/News/2006/03/28/1324483440/2006328142112642.mp3

赞!

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U2

风格： Album Rock（专辑摇滚） Alternative Pop/Rock（另类流行/摇滚） College Rock（学院摇滚） Pop/Rock（流行/摇滚） Post-Punk（后朋克）

无可争议，80年代英国和爱尔兰最受瞩目的伟大乐队是U2，他们1977年在都柏林的一所学校里开始了音乐生涯。博诺.沃克斯(Bono Vox，原名保罗.休森(Paul Hewson)，1960年5月10日生于都柏林，主唱)、“刀刃”(the Edge，原名戴维.埃文斯(David Evans)，1961年8月8日生于埃塞克斯的巴金)、亚当.克莱顿(Adam Clayton，1960年3月13日生于英格兰牛津，贝司手)及拉里.马伦(Larry Mullen，1960年10月1日生于都柏林，鼓手)起初曾以“回授”(Feedback)乐队的名义演唱过一些“滚石”(the Rolling Stone)及“冲浪”(The Beach Boys)乐队的老歌。后来他们更名为Hype，到了1977年改称U2，那年他们在利默里克举行的一个选拔赛上获胜，投到保罗.麦吉尼斯(Paul McGuinness)门下顺利地与爱尔兰的CBS唱片公司签了约。在爱尔兰的首张EP专辑《U2:3》及单曲“失去控制”(Out of Control)(1979)把乐队带到爱尔兰排行榜第1名的位置。他们1980年的单曲“另一天”(Another Day)再创此佳绩，这首歌还得到英国CBS公司的接受，使乐队得以与爱尔兰以外的Island唱片公司签约。在英国的首张单曲“嘀嘀哒哒11点钟”(11 O' Clock Tick Tock)由马丁.汉内特(Martin Hannett)制作，虽然很受欢迎却未能上榜。后来的“一天没有我”(A Day Without Me)和“我将跟随”(I Will Follow)两首单曲有了一定的销量，这时，他们正在为出版首张专辑做准备，它将由史蒂夫.利利怀特(Steve Lillywhite) 担任制作。

With Or Without You

See the stone set in your eyes/See the thorn twist in your side/I wait for you

Sleight of hand and twist of fate/On a bed of nails she makes me wait

And I wait without you

With or without you/With or without you

Through the storm we reach the shore/You give it all but I want more

And I'm waiting for you/With or without you

With or without you/I can't live/With or without you

And you give yourself away/And you give yourself away

And you give/And you give/And you give yourself away

My hands are tied/My body bruised, she's got me with

Nothing to win and/Nothing left to lose

And you give yourself away/And you give yourself away

And you give/And you give/And you give yourself away

With or without you/With or without you/I can't live/With or without you

With or without you/With or without you/I can't live

With or without you/With or without you

下载地址： http://www.zoann.com/downloads/best_songs/8.mp3

Beautiful Day

The heart is a bloom/Shoots up through the stony ground

There's no room/No space to rent in this town

You're out of luck/And the reason that you had to care

The traffic is stuck/And you're not moving anywhere

You thought you'd found a friend/To take you out of this place

Someone you could lend a hand/In return for grace

It's a beautiful day/Sky falls, you feel like

It's a beautiful day/Don't let it get away

You're on the road/But you've got no destination

You're in the mud/In the maze of her imagination

You love this town/Even if that doesn't ring true

You've been all over/And it's been all over you

It's a beautiful day/Don't let it get away

It's a beautiful day/Touch me

Take me to that other place/Teach me

I know I'm not a hopeless case/See the world in green and blue

See China right in front of you/See the canyons broken by cloud

See the tuna fleets clearing the sea out/See the Bedouin fires at night

See the oil fields at first ligh/And see the bird with a leaf in her mouth

After the flood all the colors came out/It was a beautiful day

Don't let it get away/Beautiful day/Touch me

Take me to that other place/Reach me

I know I'm not a hopeless case/What you don't have you don't need it now

What you don't know you can feel it somehow/What you don't have you don't need it now

Don't need it now/Was a beautiful day

下载地址： http://www.miqiu.com/music/worldcup/beautiful%20day.mp3

Paul Simon

风格： Adult Contemporary（成人时代） Album Rock（专辑摇滚） Folk-Rock（民谣摇滚） Pop/Rock（流行/摇滚） Singer/Songwriter（演唱者/歌曲作者） Soft Rock（慢摇滚）

保罗.西蒙1941年10月13日出生在纽约,并在慎那里长大。作为一名歌手和吉他手，他同伙伴阿特.加芬克尔(ART GARFUNKEL)的合作获得了世界性的成功.但随着1970年俩人的分道扬镖,保罗作为一名歌曲 作者的声望则更大了。在随后的个人 生涯中，保罗的作品并不多。

到1975年他共推出了4张专辑(其中一张是现场录音的),但是他对专辑中每一个细节 的注重程度却是在摇滚史上罕见的. 西蒙的第一张个人专辑-1971年由COLUMBIA公司推出的<<保罗.西蒙>>是一部很出色的"自白",仍散发出"西蒙与加芬克尔"时期的一些古怪想法。值得注意的是，西蒙浓度浓度尝试了多种形式的音乐，如雷吉乐:表现在歌曲<<母子团聚>>(MOTHER AND CHILD REUNION)中和极大众化的民谣<<昨日聚会,今朝分手>>(EVERYTHING PUT TOGETHER FALLS APART,这首歌的歌词同音乐很配)。 西蒙的这种尝试在他1973年的专辑<<这就是西蒙的韵律>>,(THERE GOESRHRMIN'SIMON)中得到了进一步的体现。他邀请了许多乐手参加录制，其中 包括演唱福间歌曲的乐队“南方蜂鸟“（THE DIXIE HUMINGBIRDS），他们在歌曲<<爱我 坚如磐石>>(LOVES ME LIKE A ROCK)中参加了伴奏。在1974年的现场演出中，西蒙还请来了一支名叫“乌鲁邦巴“(URUBAMBA)的秘鲁乐队,随后还推出了演出现场录音专辑<<现场韵律>>(LIVERHYMIN')。在COLUMBIA唱片公司的坚持下，西蒙推出了几首从他第一张专辑中选出的歌曲，其中<<校园中的我和胡利奥>>(ME ANDJULIO DOWN BY THE SCHOOLYARD)和<<母子团聚>>都进入了排行榜前30名。从第二张专辑中选出的单曲<<美国之声>>(AMERICAN TUNE)也十分成功,被<<滚石>>杂行选为当年最佳歌曲,因为它反映了水门事件之后美国人的心态。

在70年代，各方面要求西蒙同加芬克尔重新组合的压力很大。西蒙只得同加芬克尔合作录制了一首歌曲<<我的小城镇>>,(MY LITTLE TOWN),这首歌曲被收入了1975年俩人各自的专辑中.西蒙的专辑<<多年过后仍然疯狂>>,(STILL CRAZY AFTER ALL THESE YEARS)又推出了一些热门歌曲，包括同菲比.斯诺(PHOEBE SNOW)合作的重唱歌曲<<终于走了>>(GONE AT LAST)和一首美国排行榜榜首歌曲<<离开恋人的五十种方法>>(50 WAYS TO LEAVE YOUR LOVER)。

在此后5年里，西蒙没有出过一张专辑(不包括一张集锦),他把精力投入到电影方面。西蒙在伍迪.艾伦(WOODY ALLEN)的电影<<安妮大厅>>中担任了一个小角色，并且自己出资拍摄了影片<<鬼家伙>>,西蒙不仅给电影配曲,还自编自演。对电影的评价褒贬不一，但是随后推出的电影歌曲专辑却产生了一首很成功的作品<<那天晚上>>(LATE IN THE EVENING)。这首歌曲由WARNER唱片公司推出后，在1980年获得美国排行榜的第6名。1981年，他同加芬克尔在中央公园进行了一场纪念性的演出。

1983年，WARNER BROTHERS唱片公司发行了西蒙的又一张专辑<<心和骨头>>(HEARTS AND BONES),在这张相当出色 的作品集中,收入了一首他向两位故去的歌星约翰.伦农(LENNON JOHN*)和翰尼.埃斯(ACE JOHNNY*)致敬的歌曲<<伟大的约翰尼.埃斯>>(THE LATE GREAT JOHNNY ACE).西蒙还在兰迪.纽曼(NEWMAN, RANDY*)的专辑<<天国中的烦恼>>(TROUBLE IN PARADISE)中同纽曼合作演唱了重唱歌曲<<布鲁斯>>(THE BLUES),这首歌曲后来发行了单曲唱片。

从1984年开始，西蒙开始到南非黑人居住区，同那里的黑人音乐家合作，最终录制出了<<幽雅田园>>(GRACELAND).<<幽雅田园>>是西蒙最能引起人们兴趣和商业上最成功的专辑之一,同时它也招来很多争议,尤其是美国种族隔离委员会对他的误解.这张专辑同他早期的混合了民谣、布鲁斯、节奏与布鲁斯以及加勒比地区的加骚音乐风格形成了强烈的反差，它是非常纯粹的非洲音乐。专辑中有几首令人难忘的曲目：<<消毒室中的孩子>>(THE BOY IN THE BUBBLE)、<<你可以叫我阿尔>>(YOU CAN CALL ME AL)和对埃尔维斯.普雷利(PRESLEY,ELVIS*)表达敬意的<<幽雅田园>>,该专辑使西蒙连续两次获得格莱美奖.随后,保罗.西蒙又把目光投向南美洲,出版了另一张融合了非洲和南美音乐风格 尤其是巴西音乐风格的专辑<<圣人的节奏>>(THE RHYTHM OF THE SAINTS,1990),这也是他的另一张获得多白金销量的唱片.1991年,西蒙在纽约中心公园举行了一场免费音乐会(10年前他曾与 加芬克尔举行过一次音乐会),并出版了一张这次音乐会的现场专辑。

本文出转载自<<欧美流行音乐指南>>

The Sound Of Silence

Hello darkness my old friend.

I've come to talk with you again.

Because a vision softly creeping

Left its seeds while I was sleeping.

And the vision that was planted in my brain

Still remains with the sound of silence

In restless dreams I walk alone

Narrow streets of cobble stone

Beneath the hallo of a street lamp,

I turned my collar to the cold and damp

When my eyes were stabbled by the flash of a neon light

That split the night

And touched the sound of silence

And in the naked night I saw ten thousand people may be more

People talking without speaking hearing without listening

People writing songs that voices never share

And no one dare disturb the sound of silence

"Fool" said I "you do not know

Silence like a cancer grows

Hear my words that I might teach you

Take my arms that I might reach you

But my words like silent rain-drops fell

And echo-ed in the wells of silence

And the people bow and prayed

to the neon God they made

And the sign flash out its warning

In the words that it was forming

And the sings said "The words of the prophers are

written the subway walls and tenement halls"

And whispered in the sounds of silence

下载地址：http://su.home.lzu.edu.cn/...e%20sound%20of%20slience-Simon%20&%20Garfunkel%20..

Scarborough Fair

Scarborough Fair

Vocals:Paul Simona and Art Garfunkle

Are you going to Scarborough Fair

Parsley,sage,rosemary and thyme

Remeber me to one who lives there

She once was a true love of mine

Tell her to make me a cambric shirt

(On the side of a hill in the deep forest green)

Parsley,sage,rosemary and thyme

(Tracing of sparrow on the snow crested brown)

Without to seams nor needle work

(Blankets and bedclothes the child of the mountain)

Then she'll be a true love of mine

(Sleeps unaware of the clarion call)

Tell her to find me an acre of land

(On the side of a hill asprinkling of leaves)

Parsley,sage,rosemary and thyme

(Washes the grave with silvery tears)

Between the salt water and the sea strand

(A soldier cleans and polishes a gun)

Then she'll be a true love of mine

Tell her to reap it with a sickle of leather

(War bellows blazing in scarlet battalions)

Parsley,sage,rosemary and thyme

(Generals order their soldiers to kill)

And gather it all in a bunch of heather

(And to fight for a cause they've long ago forgotten)

Then she'll be a true love of mine

Are you going to Scarborough Fair

Parsley,sage,rosemary and thyme

Remeber me to one who lives there

She once was a true love of mine

下载地址：http://www.zgycrc.com/mucis/gradu01.mp3

the Who

风格： Album Rock（专辑摇滚） British Invasion（英国入侵） British Psychedelia（英国迷幻） Hard Rock（硬摇滚） Pop/Rock（流行/摇滚） Rock & Roll（摇滚）

在60年代的英国乐坛以“甲壳虫”乐队 为发端的摇滚乐新时代里可谓群雄并起，争 奇斗艳。除了“甲壳虫”和“滚石”乐队， 最有个性，也最引人争议的就是“谁人”乐 队（The Who）了。 “谁人”乐队于1964年在伦敦成立，它 的4位成员是：罗杰·达尔特瑞（Roger Da- ltery）主唱；约翰·恩特维斯托（John E- ntwistle），贝司手；凯思·莫恩（Keith Moon）鼓手；彼得·汤谢德（Peter Towns- hend）则是乐队的核心人物，是吉它演奏家 和词曲作家。

在乐队生涯的数年中，经理人换了数届， 乐队名称也相应换了数次，而乐队成员却始 终如一，配合默契。在两位经理人凯特伯兰 特和克里斯坦普的先锋创意下，乐队正式定 为“The Who”，逐渐确立了“布兰顿之声” （A Sonic Brighton）的音乐风格，以音色 异常嘈杂喧嚣的个性特征立于乐坛。 1965年，乐队凭藉一曲《I can't Exp- lain》登上了英国流行歌曲排行榜，之后的 几张专辑《My generation》，《The Who's Sell Out》以及《Magic Bus》都取得了成 功。The Who 对摇滚乐所作的最重要的贡献 在于他们创作并主演的摇滚歌剧《Tommy》， 它开创了流行艺术更为广泛的领域。当1967 年这部歌剧在纽约上演时，立即引起了人们 的关注。

在以后的蒙特利尔摇滚艺术节上， 它可谓出尽风头。 70年代，The Who 作品不断问世，但在 专辑《Who Are You》推出仅1个月后，凯思 莫恩由于服用过量麻醉剂身亡，这给乐队蒙 上了难以消减的哀伤。乐队难以重振昔日雄 风，在1982年最后一次大规模的巡回演出后， 乐队成员各奔东西，离开了这个曾带给他们 辛酸和荣耀的团体。

my generation

If only we could fly /Limp Bizkit style

John Otto /Take em to the Matthews Bridge

Can you feel it? My g-g-generation

Get up! My g-g-generation

Are you ready? /Do you know where you are?

Welcome to the jungle punk /Take a look around

It's Limp Bizkit /f***in' up your town

We downloaded the Shockwave /For all the ladies in the cave

To get your groove on /And maybe you're the one

Who flew over the cuckoo's nest /But guess who's next? (who?)

Generation X /Generation Strange

Sun don't even shine through our window paine

So go ahead and talk s*** /Talk s*** about me

Go ahead and talk s*** /About my g-g-generation

Cause we don't, don't give a f***, and /We won't ever give a f***

Until you /You give a f*** about me

And my generation/Hey kid, take my advice

You don't want to step into a big pile of s***

Captain's drunk /Your world is Titanic

Floating on the funk /So get your groove on

And maybe I am just a little f***ed up /Life's just a little f***ed up

Generation X /Generation Strange

Sun don't even shine through our window pane

So go ahead and talk s*** /Talk s*** about me

Go ahead and talk s*** /About my g-g-generation

Cause we don't, don't give a f***, and /We won't ever give a f***

Until you /You give a f*** about me

And my generation /Cause we don't, don't give a f***, and

We won't ever give a f*** /Until you

You give a f*** about me /And my generation

Who gets the blame? /You get the blame

And I... Get the blame /Who gets the blame?

You get the blame /And I... Get the blame

And I... Get the blame /But do you think we can fly?

Do you think we can fly? /Do you... think we can fly?

Well I do /I do /Fly! /DJ Lethal... Bring it on!

Oooh yeah! /Come on!

So go ahead and talk s*** /Talk s*** about me

And go ahead and talk s*** /About my g-g-generation

Cause we don't, don't give a f***, and /We won't ever give a f***

Until you /You give a f*** about me

And my generation /Cause we don't, don't give a f***, and

We won't ever give a f*** /Until you

You give a f*** about me /And my generation

Oh yeah

下载地址：http://www.zoann.com/downloads/best_songs/33.mp3

Red Hot Chili Peppers

风格： Alternative Pop/Rock（另类流行/摇滚） College Rock（学院摇滚） Funk Metal（疯克金属） Rap-Rock（说唱摇滚）

如果我把91年的BLOOD SUGAR SEX MAGIK视为RED HOT CHILI PEPPERS风格最强烈的奠定性作品,大抵没有人会有异议.当年BOLLD SUGAR SEX MAGIK的出现,就仿佛是唱片监制RICK RUBIN为他们开拓了一个新的层次,标志着他们在音乐事业上的一段新里程,或者在商业成就上而言,唱片为人津JOHN FRUSCIANTE在第二年毅然选择离队,令乐队在89年所固定下来的四位一体的阵容再度瓦解,一下子BLOOD SUGAR SEX MAGIK为CHILI PEPPERS所写下的音乐成就仿佛显得无以为继.在前JANE'S ADDICTION吉他手DAVE NAVARO加入后于四年前发表的ONE HOT MINUTE只似是乐队的一个过渡期,

　　CALIFORMICATION的最大意义与乐迷最引颈以待的因素,是JOHN跟乐队做出复合,让CHILI PEPPERS这个最经典的阵容重视.然而CALIFORMICATION并不是扮演着BLOOD SUGAR SEX MAGIK在多年后的延续篇.相隔了八个年头,在近作里我们听到的是乐队迈向成熟细腻的歌曲创作,构成一张CHILI PEPPERS最旋律化的著作.

　　命途满是得失分界线

　　在83年成立至今,来自加州洛杉矶的CHILI PEPPERS 已是一队有十七年历史的乐队,十七年对于一队乐队来说绝不是短暂的资历.这段漫长的岁月里,他们也仿佛曾走上了一队传奇性摇滚乐队所毕经得崎岖路途---毒品问题,有队员不幸逝世,乐队成员不断进进出出,或者这就是作为一队传奇?

　　在乐队的十七年岁月里,我们总会把歌手ANTHONY KIEDIS和原名MICHAEL BALZARY的低音吉他手FLEA重视为 CHILI PEPPERS两位一直紧守岗位的核心成员.反而乐队在多年来最大的问题,是吉他手的位置.虽然在CHILI PEPPERS的十七年历史中跟他们合作的吉他手乃有七位至多,但真正称的上是代表性的,就只有原装吉他手HILLEL SLOVAK和JOHN FRUSCIANTE两人而已----巧合的二人同时经历过一度离队当然,在相提并论底下,JOHN也比HILLEI幸运的多,至少没有为毒品而走上不归路.

　　HILLEL 是CHILI PEPPERS第一代作品,但在乐队在84年发表首长同名大碟时,他的岗位确实曾被JACK SHERMAN此人代替,到了灌录第二张专辑FREAKY STYLEY时,他才归队.然而到了88年6月---乐队发表了第二张专辑THE UPLIFT MOFO PARTY PLAN和经典的THEABBEY ROAD EP(以SOCKS-ON-COCKS"阳具穿袜子造型扮THE BEATLES 的ABBEY ROAD封面那张)后第二年,HILLEL因吸食过量海洛因而身亡.他的逝世亦成为当时乐队的一个沉重打击, 而鼓手JACK IRON也在其后离队,令到CHILI PEPPERS 一队陷入低潮,直到鼓手CHAD SMITH 和年轻的吉他手JOHN FRUSCIANTE加入填补了这个空缺,乐队才得以在重整阵容下而卷土重来,甚至这个公认为CHILI PEPPERS的黄金阵容

　　(ANTHONY/FLEA/JOHN/CHAD),亦替他们缔造了MOTHER'S MILK(89年)?

然后,JOHN因受不了作为一位ROCK STAR的成名压力而在93年毅然离队,亦再次使ANTHONY等人突然束手无策起来,甚至一度令而人酿成恶交,曾有几年时间没有交谈过.先后经过两位过客性质的吉他手暂代其岗位后,到了93年彩照来前JANE'S ADDICTION成员DAVE NAVARRON加入,继而一起灌录了ONE HOT MINUTE这张于95年面世的专辑.然而相信不少CHILI PEPPERS的追随者会发掘,DAVE一手较偏向摇滚手法的吉他演奏放在他们身上,这种流于朴实的风格虽不算好亦不算称身,令大家也对这张专辑有所保留.无形中?结果在CHILI PEPPERS于去年打算为新碟创作新歌之前,DAVE亦做出了离队的决定,而故事的发展就是JOHN被召归队而成一时佳话.

METAL FUNK AMERICA

　　无论泥巴CHILI PEPPERS的音乐风格界定为METAL FUNK也好,PUNK FUNK也好,抑或是FUNK ROCK这个最传统的称呼也好,无可否认他们那种揉合着THRASH ROCK,PUNK,FUNK,NETAL,RAP的影响而来的音乐风格,是那么无可匹敌,获誉为近代最懂得将FUNK融汇在摇滚领域的乐团,在派对中跳SLAM DCHILI PEPPERS对于FUNK ROCK所带来的深远创造力,那固然是并非是一朝一夕的事.打从他们初出道开始,已显示出乐队本身乃拥有良好的黑人FUNK乐根基.在他们的首长同名专辑当中,亦能窥见到他们那种集合者GEORG CLINTON,SLY STONE以至BLACK FLAG的影响而来且充满初生之犊的PUNK FUNK风格,从TRUE MEN DON'T KILL COYOTES那极受来自英国朋克乐队GANG OF FOUR 成员DNDY GILL担任监制下所感染到的英式低调POST PUNK之声,到试图对CLINTION式P FUNK作坊式的GET UP AND JUMP,正反映出CHILI PEPPERS本身迥异的两种音乐个性.当然,到了第二张专辑FREAKY STYLEY力邀请到FUNKADELIC/PARLIAMENT的P FUNK大师GEORGE CLINTON出任唱片监制,是CHILI PEPPERS有史以来FUNK得最彻底的一次(尤其在铜管乐的伴奏功能上).或者他们在音乐上的优越之处,是往往有良好的唱片监制协助他们所赐.THE UPLIFT MOFO PARTY PLAN和MOTHER'S MILK式的摇滚监制MICHAEL BEINHORN让他们在FUNKY曲式更凸显出HEAVY METAL式吉他RIFF的功能.但真正得以将CHILI PEPPERS提升的,是自BLOOD SUGAR SEX MAGIK时开始合作的RICK RUBIN.RICK不但是AMERICAN RECORDINGS的老板,也是当年跟RUSSELL SIMMONS一起创办传奇性HIPHOCALIFORNICATION在内.

　CALIFORNIA RED HOT+BLUE

　　当现年二十九岁的JOHN归队后,他在去年便再度跟ANTHONY,FLEA和CHAD这三位同样现年三十六岁的旧队友一起与FLEA的车房里JAM歌JAM整个夏天.正如CHAD所表示过当他们四个人走在一起时,是有其化学作用所在,是独一无二的.虽然CALIFORNICAITON里的作品之创作过程是由JAMMING开始JOHN的回归,也让那种跳脱生动的FUNKY曲式重现于CHILI PEPPERS身上,似乎只有JOHN的吉他弹奏才能跟FLEA谈弹跳跳而来的FUNK BASSLINE为之最匹配,开场曲AROUND THE WORLD已激起了他们的种种浑身解术;强悍的FUNKY趋势,PUNKY吉他RIFF,RAPPIN'与之旋律化的CHORUS主唱.GET ON TCALIFORNICATION顾名思义是一张写加州情怀的唱片,但所充塞着却不是阳光海滩蓝天碧海弄潮冲浪少男少女的气息,换来确实多首BITTER-SWEET情感的曲调;阳关依旧普照,但心底里却是灰色的.

　　细碟歌SCAR TISSUE不难成为另一首UNDER THE BRIDGE,当ANTHONY唱到:"WITH THE BIRDS I'LL SHARE/THIS LONELY VIEW",不刻意的黯然神伤便是这样.主题曲CALIFORNICATION的忧伤情绪,OTHERSIDE得楚楚动人曲调,PRCELAIN在幽暗底回的趋势驱使下沉淀着的凄美,从没想过CHILI PEPPERS的作品可以如此听的发还有一曲SAVIOR把激昂歌唱与梦幻优美合唱伴随下这两端截然不同的旋律放在一起,在高低起伏下构成这首带有迷幻味的作品.在ROLLING STONE杂志的报道中得知这次他们还写了一首唤作"巩俐"的作品,但不见收录于碟内,可惜.

坦言ONE HOT MINUTE是一张绝对叫我听的不式味的失望制作,而CALIFORNICATION不但让我对CHILI PEPPERS重拾回信心,也使大家重新认识到成熟与重整过后的他们所散发出的音乐魅力---即使在宣传照片上他们仍是一脸玩世不恭的'讨厌'模样.

Dani California

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